American Modern – A New Book by Thomas O’Brien

March 3rd, 2010 | No Comments | Posted in Interior Design, Residential Interior Design

Today I received a mysterious package in the mail. To my surprise it was the “NEW” book by talented New York designer Thomas O’Brien.

I have been always been a big fan of designer, merchant, collector and tastemaker, Thomas O’Brien’s work. One of my first interviews for the blog was with him. I really appreciated his kindness and generosity with his time for my new blog.

IN CONVERSATION WITH THOMAS O’BRIEN

The Cover of this stunning book is showcasing a vintage modern picture of Thomas O’Brien’s own home, where you can truly appreciate the sophistication of his interiors and the juxtaposition of style periods.

To make the day even more exciting I also received a handwritten note from Thomas.

O’Brien carefully describes the design process of his chosen projects. Beautiful imagery and a unique layout describe his approach to design in a new an innovative way.

Attention to detail is everywhere in this book even the pattern design of the inside cover is stunning. Printed by Abrams Books this book is carefully edited and designed.

This book is definitely a must have for any designer aficionado. Click the link below if you want to put this wonderful book in your tender hands.

Thank you very much to Thomas & Abrams for making my day special.

Source: Meade Design Group - The Blog

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Tags: cheap interior designs, home improvements, In Conversation with, Interior Design Books, Interior Design Victoria, Interior Design Victoria BC, interior designer, Thomas O'Brien

In Conversation with Birgit Piskor
Birgit Piskor As seen in SNAP July, 2010. Birgit was introduced to me earlier this year by my dear friend, Liz Mackay of Ambiance Consulting - I actually featured one of her pieces, "Floraform", as one of my eye candies of the week back in February. Since then, I have had the opportunity to get to know Birgit better and have seen the stunning new collection that she is launching; I am excited to announce that Meade Design Group - the blog has the first interview with the artist about her new pieces, complete with photographs and inside information - Enjoy! "Known for her light, sensual, undulating forms, Birgit’s unique sculptural works are most commonly purchased internationally by art collectors and high-end interior designers. Her work is constantly evolving - from large-scale abstract pieces to fine objets d’art, each of Birgit Piskor’s pieces is individually created with exceptional attention to detail; no two pieces are alike. Hardworking - and surprisingly strong for her small stature, Birgit channels the industrial essence of concrete into shapes and textures that defy the inherently rigid nature of the medium. The flowing organic concrete forms she produces are tactile expressions of transformation and visceral moments of beauty. Each handcrafted sculpture is constructed of only the highest quality materials that are both attractive to the eye and built to withstand the passage of time." - birgitpiskor.com Iván Meade - What was your first experience with concrete? Birgit Piskor - I would have to say that my first experience with concrete was when I consciously became aware of it as a thing of beauty rather than just the cold, grey, industrial material that parkades and sidewalks are made of. I was in my early 20’s, excited to be in Barcelona – young and completely ignorant of many things including the genius that was Gaudi. So when I came across his work for the very first time it was mind blowing! I remember feeling completely transfixed by it. It was as if I had accidentally stumbled into some inspired Gothic fairytale. The undulating organic forms, they were so sensual, so impossible. I couldn’t believe it was concrete! Rap Series # 5 Fine Sculpture by Brigit Piskor Iván Meade - What made you choose concrete as your primary medium? Birgit Piskor - I’m really passionate about my concrete! It appeals to me on so many different levels – it has an ancient history, it is of the earth, it is strong and enduring and, because it has no intrinsic form, concrete is also an incredibly versatile medium. By its very nature concrete embodies the transformative experience. It begins in a messy, wet, fluid state and becomes this solid, stone-like substance, hard and calm, cool to the touch. I love that! Freya Fine Sculpture by Birgit Piskor Iván Meade -What inspires you trademark organic, flowing and sensuous forms? Birgit Piskor - I’m very fortunate to have traveled to some amazing places and to live in an incredible part of the world surrounded by such intense natural beauty. And Nature is absolutely alive with ravishing lines and provocative curves. So seductive. Who can resist? And in this curved universe there is constant play and creative tension – a ceaseless becoming. This transformation is often terrifying, yet beautiful and absolutely necessary to life. I also work from a strong sense of my own body and tend to see some element of the female form in virtually everything that I observe. Flora Form – Silver Leaf Fine Sculpture by Birgit Piskor Iván Meade - Your sculptures are teeming with lavish and inviting textures. Why is texture such an integral component of your work? Birgit Piskor - I remember, years ago, feeling a little uncertain about having people touch my work. They seemed to have this compulsive need to run their hands over my sculptures. It was fascinating because I could see that some people were obviously struggling with the conventions of gallery etiquette while others were unabashedly stroking everything! It made me nervous until I realized that they were actually paying me a very high compliment that it was in fact a form of communication – a communication not only between me and the view but also between the viewer and themselves. Texture also gives an illusion of movement, and vitality – a visceral sense that a piece is just about to take on another form. Torso by Birgit Piskor Iván Meade - Are there any sculpture artists whose work you admire? Birgit Piskor - Absolutely! Barbara Hepworth would probably be first on my list. There is a meticulous purity and, I guess I would say, a certain concentrated stillness to her sculpture that really resonates with me. Her work is also incredibly tactile, rich with human emotion and physical sensuality. It’s so inspiring! Isamu Noguchi is also on my list for his staggering craftsmanship, profound commitment to simplicity and the poetic suggestiveness of his forms as well as for his playfulness and the fact that he was able to bring modern sculpture into the realm of everyday life. I also love Henry Moore’s work. Neosphere # 1 by Birgit Piskor Iván Meade - How long does it take you to create a sculpture? Birgit Piskor - It generally takes 2 – 6 weeks to complete a sculpture depending on the size of the piece. Now that’s not to say that I am working on a particular piece for that entire length of time but because my medium is concrete, after the initial work is done, a certain curing period is required. It is only after this chemical reaction is complete that I can apply the final finish be it additional colour, metal leaf, various waxes and oils – whatever it takes to bring alive the beauty and texture of a given sculpture. Lady in Waiting – Fine Sculpture by Birgit Piskor Iván Meade - What type of concrete do you use? Birgit Piskor - Over the years I have developed my own custom formula, one that affords me the most creative control and freedom while ensuring extreme strength and durability. I work to very exacting standards and my sculptures are built to last for generations. I’m also constantly on the look out for innovative new products, researching the most environmentally sensitive options. For example, I have recently begun using reinforcing fibers made of 100% recycled nylon from reclaimed carpets thereby helping to reduce energy use, greenhouse gas emissions and landfill waste. Relief Sculpture by Birgit Piskor Iván Meade - How are your sculptures built? Birgit Piskor - Each of my sculptures is painstakingly hand built and begins with the fabrication of a steel skeleton, or armature, over which I apply successive layers of small hand mixed batches of concrete. Once the final form has emerged, the next important stage is to work the surface. Because this final stage is so crucial to the success of a piece, I will often pause at this point and spend some time reflecting on the form, intuiting my way towards what exactly it is that I am trying to communicate and how best to convey that by means of colour and texture. My process ensures that each piece is an inherently unique creation. Birgit Piskor working in her Studio Iván Meade - What puts the “Fine” in Birgit Piskor Fine Sculpture? Birgit Piskor - You mean besides the fact that they are drop dead gorgeous??? Seriously though, I believe that one aspect that distinguishes my work are the results that I achieve by hand building each piece –a certain intimacy and honesty that arises. I feel quite strongly opposed to casting. In part my opposition is a reaction to what I find to be the distressing societal trend towards valuing lower cost over handcrafted artistry. But it’s mostly because I truly love what I do – the feel of the concrete in my hands, the physical interaction with the piece – there is a kind magic that happens. I rarely have a fixed image in my mind of the finished sculpture. I generally begin with more of a visceral impression of where I want to go. The final form gradually emerges and involves a sort of giving over, or surrender. The process becomes like a beautiful dance that constantly challenges the notion of what concrete can become. I should also mention that each of my sculptures includes an exclusively designed signature plate as well as a signed certificate of authenticity. Fine Sculpture by Birgit Piskor Iván Meade - If you could pick one word to describe your work, what would it be? Birgit Piskor - Wow, that’s a tough one to answer. I suppose if I had to choose, I would say sophisticated. Or alluring… captivating…. provocative… Do I really have to choose just one? Art in Situ by Birgit Piskor Space Designed by Susan Hargraves Iván Meade - As a successful artist, are there any words of advice or lessons learned that you can share with working artists ready to take their art to the next level? Birgit Piskor - I love my life and where it has taken me but it is definitely not any easy path to walk. Keep the faith, have courage, and work, work, work. Then work some more because there is no substitute for the growth and magic that happens when you are in process! Birgit Piskor gold leafing at her Studio . Iván Meade - What projects are you currently working on? Birgit Piskor - I’m really excited right now to be working on a new line of objets d’art, a series of small scale sculptures that will be perfect for table tops and mantels. Art in Situ – Flora Form by Birgit Piskor Meade Design Group Studio Iván Meade - What future projects do you have planned? Birgit Piskor – There are so many images flooding into my mind at the moment! I'm really eager to start experimenting with some of these new concepts and expect that they will form the core of an exciting new body of work. I'm also currently trying to secure a solo exhibition in Mexico City early in the new year - I'm over the moon about this potential opportunity!! Relief Sculpture by Birgit Piskor Iván Meade - You have already gone through many transformations with your work and found great success, what would you like your legacy to be? Birgit Piskor - I was thinking the other day about my inability to have children and how my life doesn’t have that kind of continuity. Then it occurred to me that my sculptures will still be here for decades to come – they are concrete after all. The fundamentals of life, the pain and the beauty of transformation, cross international and cultural boundaries. I put so much of myself into my work, it is my hope that long after I am gone, whoever sees and touches my work will catch a glimpse of who I was and recognize some aspect of them selves in it. I invite you to discover Birgit Piskor's work at her website FACEBOOK Ivan Meade is a local designer and principal of Meade Design Group, a multidisciplinary interior and graphic design studio in the heart of downtown Victoria – www.themeadegroup.com
In Conversation with Charles Gabriel
As Seen in SNAP Victoria – June 2010 Local glass sculptor Charles Gabriel has created a niche for himself with his beautiful creations using textures and combinations that are unique to his pieces. A self-taught artist, Charles felt that there was a void in the medium, and pushed himself to explore and invent new techniques and applications. When he began his exploration in glass design in 1980, his focus mainly involved surface etching and creative realism with amazing use of tones and shades, this study continued throughout the eighties and nineties. Charles Gabriel During the last decade, Charles’s work has evolved to become more sculptural. At the beginning of the new millennium, he consulted many professionals in his field to better achieve the finishes he wanted and the “stable molecular balance required for practical utilization” to ensure his work could stand securely in all applications including private and public. He describes himself and his work perfectly on his website as having a “strong dedication to a successful end, real-world problem-solving experience, and a dash of sheer Scottish stubbornness, all combined with an honest appreciation for both the simplicity, and complexity, of light passing through glass”. Please read on to learn more about this talented artist… Iván Meade – What was your first experience with design? Charles Gabriel – I was only nine when we left the UK, but both there and here, my parents were always renovating or building our family homes. With my mother as a draftsperson who worked from home, I was exposed to building renderings from a young age. So for me, early exposure to real design came in the form of building structure. By seeing the framework and workings of both stone and wood buildings, I think the development of an appreciation for both the aesthetic and the function of design was very organic. Melross Residence – Charles Gabriel Iván Meade – Who or what has influenced your style? Charles Gabriel – This probably doesn’t sound too high-brow, but as a kid I loved a handful of artists I found doing comics, or graphic novels. I guess the availability of the medium as a youngster allowed me to follow their creativity. I remember liking the thought that they weren’t constrained by ‘grown-up’ themes, but rather were allowed to create whole fantasy worlds, replete in design, and stylize every single aspect of it, right down to how each scene was lit. What more could a creative person with a pencil want? Now that I’m (a bit) older, I’m drawn to the more realistic works that have obviously received a full and immersive dedication to their design…objects that have addressed the form as a critically important component of the function. We’ve an Eames Aluminum Series chair, for example, that I glimpse at different angles from different locations at different times of the day. It has sat there for over a year now and I like it, but every time I catch the view of it’s back I’m excited, inspired, and feel challenged to go work on something fabulous myself! Grand scale building as art has always fascinated me. Gehry’s Bilbao Guggenheim and Calatrava’s ‘Quadracci Pavillion’ portion of the Milwaukee Art Museum are drawing me the most at this point. From gothic architecture to art deco, minimalist furniture to the exoskeletons of insects, not to mention the sound of a gurgling river, David Gilmour Strat solo, or some fine string chamber music, I have been and continue to be influenced by so many things... Chocolate – Charles Gabriel Iván Meade – How would you describe your style? Charles Gabriel – Ever-changing. I’d imagine that there is a thread throughout everything to date, but I couldn’t say for sure what that is. I’ve usually adapted to a variety of external conditions or demands where I’ve had to work within the parameters of an existing aesthetic. I find the freedom of an unfettered creative license almost overwhelming… Plus, I’m a subconscious sponge of experience both visual and immersive, as are we all, I’m sure, so I wonder how anyone could ever keep the same outlook? What I am currently fascinated with is the ubiquitous interaction between man and technology. I love the physical workings of machinery, although I wish everything that machinery had been created for was actually making life better! I enjoy so much of what’s brought to me by technology but I’m also aware of our increasing dependence on it. At what point are we actually separate from it? I guess questions like this inform my style to some degree. Perhaps I’ve reached a certain place in life where I feel confident enough to create something simply because I want to see how it looks, but I still really feel driven to include some suggestion of order or rhythm in the designs. I think I try to suggest the mechanics of a thing or idea, but by using more elemental textures and shapes. The best works always do what they need to with the fewest lines, and the trick for me is not to get too wrapped up in detail or showcasing technical ability. I think a careful, conservative approach can imply so much more through suggestive form than any detailed definition ‘tells’ us. Its definitely a tricky balance between providing enough information and too much. Charles Gabriel – Glasswork Iván Meade – What is your design philosophy? Charles Gabriel – Well, first its got to fit with itself. What I mean is, whether its an artwork or a item of some other function, it has to have an inherent balance (turn it upside down, does it still look right? That sort of thing...). Glass design is specific that way as it usually has to be appreciated from both faces. Then, to place it into a larger context, it has to fit within its surrounding aesthetic. As far as a philosophy goes, I’m adamant about making certain that the design in question is going to be the very best solution before committing resources to the finished project. I’m really against wasteful and short term solutions. I strive to create fewer, more meaningful ‘heirloom’ pieces which I hope can inspire for a long time. Its not inconsequential to make a thing, and so that thing should have a positive resonance for its life, and that life should hopefully be a long one. Clive’s Lounge – Charles Gabriel Iván Meade – What drew you to working with glass as your primary medium? Charles Gabriel – Just serendipity, really. I never planned to keep with it this long, but new ideas and challenges continuously presented themselves… and still do. Once I end up getting the equipment to work the way I want, I find even more satisfaction, so many of the ideas spring from new ability, both through better technology and developed skills. A cyclic evolution, if you will. Charles Gabriel Iván Meade – What is your favourite process or technique in working with glass and why? Could you tell us a little about the steps involved in this choice? Charles Gabriel – Well, as you mentioned earlier, I did used to fiddle about trying to make works resemble real images, probably because it was challenging. Now I’m much more interested with how light works on, and through, carved edges in thicker material. So much so, that a lot of the design comes from development of shapes and textures that I see as eye-catching, simply if they were carved. My favorite finish process is the ‘hi-fired’, surface-revtrification of a carving. It just looks finished to me and it’s easily cleanable in a single pane application. To start with I layout the design onto a resist which covers the glass blank. I’ll draw this by hand and then pre-cut the lines by hand for a staged removal during the blasting process. Using different angles, distances, pressures, and sometimes grits, I’ll carve the image. I’ll then prep it for kiln-firing which will ultimately create the fire-polished surface finish I’m after. The kiln work is no easy task and I entrust this to one man, Brian Edmunds, with whom I have worked for years to develop the process. The temperature required for my needs is just a few degrees off the temperature where glass wants to form into a solid (technically it’s a really cool liquid) and begin turning opaque. A carefully regulated cooling procedure also anneals the panel and allows it to take a temper and meet building code requirements. Depending on the design, I might add some contrasting post-fire texture at this point. Trying new procedures always bumps up the failure rate, but for the most part, we’ve developed a successful process. North Vancouver Library Iván Meade – What is your design process? Charles Gabriel - Generally, I like to see where a work is intended to sit, primarily to appreciate the lighting, both natural and otherwise. This is somewhat critical in determining the approach of the design. Then, as it is usually part of a larger environment, I work to address both the structural requirements expected of the work (if any), and the surrounding aesthetic. I really enjoy a collaborative process, and the opportunity to create a solution that’s both functional and attractive. I find working with a client or designer allows me to personalize each work to both the people and the space. Also, this usually introduces elements or ideas that may I may never have considered. Charles Gabriel – Anya Lane Residence Iván Meade – What are you excited about right now in the world of glass design? Charles Gabriel – I’ve recently been creating standalone pieces such as wall hangings, which are not commissions or part of an installation. I’m including a couple of additional elements in the way of materials, and sometimes colors. I’m pretty excited about that. I’d also like to try bending more of the finished pieces. The light really does interesting things on curves! Charles Gabriel – Anya Residence Iván Meade – What would be your dream project? Charles Gabriel – I don’t know, Ivan, but it would probably be big, would take a lot of thought and time, I’d have a lot of artistic license and would get paid for every hour of work that went into it. The key word here was “dream”, right? Seriously, it would be collaborative within a larger creative space. It would probably be a multi-panel installation that helped introduce light into an area, and it would contain a narrative arc that evolved across several sections. I think that could be a challenging and rewarding dream project. Charles Gabriel – Glasswork Iván Meade – What project has given you the most satisfaction? Charles Gabriel – They all do Ivan! (PC, hey?) Every one of them has my full attention at the time and generally gets my subconscious rating of “this is the coolest one so far…!” -at least until the next one! I’m still a bit partial to a set of glass made for Clive’s Classic Lounge in Chateau Victoria, early 2009. Gillian Ley (Ley Art and Interiors) was designing a beautiful new lounge and I had the opportunity to work with her, which was great. Totally organized and professional, she knew exactly what she wanted to do throughout the space, but still gave me quite a bit of freedom with the nature of the glass’ design. The initial call was for approximately 200 sq ft of divider glass between the lounge and the south-facing, glassed-in lobby. Some days this lobby would be absolutely bathed in sunlight so I couldn’t ask for a more dynamic light source! There were some lovely fluid lines in Gillian’s booth seating so we agreed that an ‘aquatic-suggestive’ theme would work. I designed a series of ‘flowing reeds’ to be carved into ½” glass, interspersed with streams of alternately colored little blue and green bubbles done with translucent kiln-fired bottle frits. I also had two pieces with the same artwork curved for the entrance. I had never tried that before and they just look fabulous. There is more work inside the lounge, but that entry wall when the sun catches it is a particular favorite. Oh, can I add another favorite? From strictly an organic design perspective, I was pleased with “MELROSS”, used an interior railing with a splash of red. The clients had a set of red chairs made for the sitting area immediately adjacent. This color statement was a design cue to start from. They agreed to a pattern from a set of concept designs that I had drawn. After laying up the piece full size in-studio, though, I sort-of ‘overlooked’ the initial pattern and took a chance free-handing a design up on the resist-covered glass. I kept in mind the very contemporary space where the work was going, but also the dynamic personalities and lifestyle of the clients themselves. The night wore on and then the next day I added and changed it some more. By the time they saw the new design idea, there was no discernable resemblance whatsoever to the original concept. They had faith and we ended up (happily, I believe) with “Melross”. Clive’s Detail by Charles Gabriel Iván Meade – What is the best advice (art related or otherwise) that you have ever received? Charles Gabriel – Somewhere, probably more than once, I came across the idea that if you love what you do, then its never really a job, and you should never give up on what you believe will work. It’s been an uphill grind to get to this place where I can solely do the glasswork, but at the end of the day, the satisfaction comes from successfully executing a piece that the client really loves -and could not get anywhere else. It makes all the second-guessing and process-related frustration worthwhile. I also appreciate all the positive support and excellent clients that have spurred me to continue the development in this direction. Charles Gabriel Iván Meade – What are 3 things you each can’t live without? Charles Gabriel – First, I’ve got the most beautiful and supportive wife I could ever ask for (lord knows I’ve yet to give her the life-style she’d like to become accustomed to…!). Second, of course, I’m so grateful for my senses, all of them. Simply having the ability to appreciate all the things in life is a gift. And thirdly, I guess there is a 1965 Weber dentist chair with chrome bits on it that sits in our living room (…did I mention my wife is an angel..?). I’ve had it for 20 years and I guess could probably live without that, if I had to… so third would be ‘hope and inspiration’ -with hope for the prospect of positive change no matter how small, and inspiration from seeing good things come from humble beginnings. Oh, the dentist chair is accompanied by a turn-of-the-century Ritter dental operatory; replete with two light-up sections, chromed “gadgets”, and no less than three pieces of cast and frosted old glass…it’s almost 100 yrs old and still got stunning aesthetic in spades!...but I digress.. Le Trone – Charles Gabriel Iván Meade – What is your next design venture? Charles Gabriel – Thanks for asking, Ivan. I’m currently embarking on some wall art pieces which don’t really address the practical requirement most of my glasswork has done, to date. It’s time, I think, to realize some concepts that have bounced around in my head for awhile. They include incorporating additional media, mostly in the form of machined mounting hardware and backing board materials, but may grow to include other materials as sculptural elements. Still, it’s primarily about the glass. Although they’re generally technically complicated, I try to keep the compositions simple. Here in Victoria JC Scott (JC Scott Design Group) is opening his Eco-Gallery which is centered around supporting locally sourced solutions for design projects. He has invited me to display some works in the gallery which most I’m honoured to do. The sustainability notion behind his design philosophy is entirely the right thing. Far from being mutually exclusive, I believe the two concepts of design and sustainability are essential to consider together especially in light of all the knowledge we now have about the world and the impact we’re having on it. Melross Residence - Charles Gabriel Iván Meade - You have already produced a stunning body of work; what would you like your legacy to be? Charles Gabriel – If even one work, subconsciously or otherwise, inspired one person to take one step in a positive direction with design, or to see the world with a greater appreciation for the amazing detail, diversity and design within it, that would be an amazing thing. I invite you to visit Charles Gabriel’s site and see his stunning body of work at: .
In Conversation with Dale Kosowan
Dale Kosowan I had the pleasure of meeting Mr. Dale Kosowan at one of my dear friend Patricia Gray’s blogging parties. I am blown away by his insight on hospitality design - he not only has an amazing talent for creating beautiful hotel spaces, but also for scouting them out world-wide; his blog “HD Inspirations”, features stunning hotels from around the globe that are incredibly stylish and (as his blog promises,) inspirational. Dale graduated with a bachelor’s degree from the University of Manitoba’s FIDER Accredited Interior Design program, and is currently an associate with one of Vancouver’s top architectural/interior design firms in hospitality design. He has had over 11 years of experience in Canada, the US, and even China. In addition to a multitude of boutique hotels, Dale has had the opportunity to work with big name clients such as Delta, Westin, Sheraton, Hyatt, Fairmont and Hilton Hotels. His designs are beautiful and well thought out, you can tell that Dale’s work is certainly his passion. Dale’s work has not gone unnoticed; he has been the recipient of several awards including honours from IDIBC (Interior Designers Institute of British Columbia) and IDA (Interior Designers of Alberta), not to mention his features in Calgary Magazine, Western Hotelier Magazine, and Hotelier Magazine. Not to mention the prestige that comes with his very well maintained blog; he has been studiously posting away since 2007. Please read on to learn more about this talented designer… Iván Meade – What was your first experience with design? Dale Kosowan - I remember when I was about 8 or 9, I'd watch ruruns of "I Dream of Jeannie" on TV after school, and then afterwards I'd start sketching out new bottle layouts for Jeannie. I remember thinking her bottle was so cramped that she could use some extra storage space as well a new color scheme involving way less pink and purple! I now know that was a very obvious sign that I entered the right field. Design Concept by Dale Kosowan Iván Meade – Who or what has influenced your style? Dale Kosowan - My first boss in the industry, the late Ms. Delcy Walker, was a huge influence on my design aesthetic. As a new graduate venturing out into the design world, she not only taught me the basics such as proportion and scale, but also how to challenge the rules and to always think a little bit outside the box. Interior Design by Dale Kosowan Iván Meade – How would you describe your style? Dale Kosowan - When it comes to project work, the "style" is my best interpretation of the style requested from the clients, who often have definite ideas of their own. Each project can vary tremendously, and I have come up with designs from very fussy traditional to very minimal and contemporary. My personal style is contemporary, with traditional infusion. I love punches of warm colour and pattern mixed with cool, neutral backdrops. Interior Design by Dale Kosowan Iván Meade – What is your design philosophy? Dale Kosowan - Keep it simple, keep it uncluttered, and let beautiful materials speak for themselves. Interior Design by Dale Kosowan Iván Meade – Who is Dale Kosowan? (Outside of being Dale Kosowan – the designer) Dale Kosowan - I'm not one of those over the top, Diva, designer type personalities. I'm actually a fairly shy and quiet person who enjoys simple times with family and friends. I love to paint (abstract art), go for long walks on the Seawall here in Vancouver, travel, metaphysical study, and going shopping in my spare time. Iván Meade – Have you ever forayed into another facet of design? Dale Kosowan – As part of interior design, I've been lucky to be able to design custom furniture pieces, graphics, custom fabric and carpets, and signage. But outside of interior design, I have not had the opportunity yet. Interior Design by Dale Kosowan Iván Meade – What have you found to be the most challenging part about hospitality design, and what to be the most rewarding? Dale Kosowan - The worst part about hospitality design is the long project schedules and often tight budgets passed down from corporate headquarters. Long project schedules mean that you don't' see the completion of your project sometimes years later, and tight budgets really limit you to certain materials and vendors. At the same time these challenges stretch your creativity, so that it is also rewarding is to see projects can be successful after all the work and changes you've endured along the way. Interior Design by Dale Kosowan Iván Meade – What are you excited about right now in the world of design? Dale Kosowan - Clashing colour combinations. Ugly Pretty (as Tyra Banks of America's Next Top Model) would call it. Interior Design by Dale Kosowan Iván Meade – What would be your dream project? Dale Kosowan - A high end, fashion forward and avant garde boutique hotel in a big, cosmopolitan city like New York or Mexico City where I can push the limits of what is traditionally considered "normal". Interior Design by Dale Kosowan Iván Meade – What project has given you the most satisfaction? Dale Kosowan - Believe it or not, it was the Hotel Indigo Pittsburgh concepts we came up with, which was a project that was actually cancelled last year due to the recession. It was the first time a client had embraced such strong color, pattern, and design recommendations. We had designed a glowing behive inspired ceiling in the lobby lounge with multi coloured stretch nylon poufs randomly scattered about, and back lit hot pink chain link drapery behind a paisley upholstered curvy banquette. It would have been truly outrageous. Interior Design by Dale Kosowan Iván Meade – What is the best advice (design related or otherwise) that you have ever received? Dale Kosowan - Of the three (Value, Time, and Quality) you can only have 2 without sacrificing the third. Design Concept by Dale Kosowan Iván Meade – What are 3 things you each can’t live without? Dale Kosowan - My family (husband and 2 dogs), chocolate, and my iphone Design Concept by Dale Kosowan Iván Meade – What is your next design venture? Dale Kosowan - I'm currently working on the design of some meeting and ballroom spaces at two different hotels in downtown Vancouver, as well as a large renovation to a shopping mall, and a very modern, architecturally design vacation home in Whistler. Interior Design by Dale Kosowan Iván Meade – Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Dale Kosowan - As a selfish wish, I would love one of the hotels I've designed to make it to one of the exclusive "must go to" hotel lists, like Hip Hotels or Design Hotels or Conde Nast Top 100. As a more inclusive legacy, I would just hope that I can design as many spaces (rooms, restaurants, lobbies, etc.) as possible so that guests have positive and memorable experiences in them. I invite you to follow Dale’s blog at:
In Conversation with Donna Livingston
Donna Livingston Donna Livingston, principal of Donna Livingston Design, has just been dubbed one of Architectural Digest’s “The New AD100” for the fourth consecutive time – just one of many testaments to her 30 years of success in the design industry. Donna grew up in Louisville Kentucky and got her big break when she earned a contract with The Bren Company, designing model homes in Southern California. These days she is one of the most requested interior designers for luxury homes in Los Angeles; known for her combinations of Asian, European and contemporary designs. Ms. Livingston prides herself in her “standards of creativity, attention to detail, high quality and architectural integrity”, she also shares her wealth of knowledge and experience with colleagues, giving seminars in Japan and at the well-known Pacific Design Center in Los Angeles. Vignette by Donna Livingston You may also recognize Donna from a plethora of appearances in the media; in addition to her many appearances in Architectural Digest, she has also been features on HGTV’S “Homes across America” and the popular radio program “Living Large”. She has also been the recipient of the esteemed “Golden Nugget Award”. Ms. Livingston has also created a line of beautiful custom furniture that perfectly encapsulate her sought after style, including case goods, upholstery and even stemware. Donna is not only a great designer, but a great person. She is an avid donor advocate and fundraiser for the Concern Foundation, a non-profit organization that was developed to raise funds for cancer research; she was even honoured at the 2009 Block Party event held by the foundation. Vignette by Donna Livingston I greatly enjoy Donna Livingston’s blog as well, it is personal, fun and informative; she is relatively new to the world of social media but I think is off to a really great start! Please read on to learn more about Ms. Livingston and her design point of view… Iván Meade - What is your design philosophy? Donna Livingston - My style is a combination of European, Asian and Contemporary design. I always find a key element that is the inspiration for the entire project, whether it’s a Chinese embroidered silk screen or an old world antique chandelier. After that, everything else comes into focus and starts to develop into the full picture. Interiors by Donna Livingston Iván Meade - You have had many successful years in design, are there any design trends that you never want to see again? Maybe some you think should return? Donna Livingston - a. South western style b. The color Mauve c. 50s sofas upholstered in chartreuse fabric Interiors by Donna Livingston Iván Meade - You have been included in Architectural Digest many times, including 4 consecutive times on the New AD100 – what do you feel sets you apart and keeps them coming back for more? Donna Livingston - I’m honoured to be included in such esteemed company. Having my worked featured in the magazine has been one of the highlights of my career. Interiors by Donna Livingston Iván Meade – Often time designers have other creative hobbies, you also have an art history background – do you partake in any creative pastimes? Donna Livingston - Actually I was an English major and I got my first break designing model homes for the Bren company. This past summer, I visited the Victoria & Albert Museum in London. I think it’s so important to look at historical works of art for inspiration. Interiors by Donna Livingston Iván Meade - What are you excited about right now in the world of design? Donna Livingston - Technology. I have been using the Crestron Home Operating System for several years now. It is marvellous how it incorporates the operation of lighting, A/V, window shades, security, HVAC and internet all from one keypad. It can also be operated remotely when the client is away from home. Interiors by Donna Livingston Iván Meade - What would be your dream project? Donna Livingston -Every project is a dream as long as you have the right team. Interiors by Donna Livingston Iván Meade - What project has given you the most satisfaction? Donna Livingston - I designed and renovated my own home – a John Woolf Hollywood Regency style – last year. I selected the combination of colors and materials, every finish, piece of art and furniture. Everything was about small details. It’s wonderful to have the opportunity to live in a home that I designed. Interiors by Donna Livingston Iván Meade - What is the best advice (design related or otherwise) that you have ever received? Donna Livingston - Trust your gut instincts. It’s a common piece of advice but there is nothing better. Interiors by Donna Livingston Iván Meade - What are 3 things you can’t live without? Donna Livingston - My DLD team. My health. My friends. Vignette by Donna Livingstone Iván Meade - What is your next design venture? Donna Livingston - I’m launching a line of custom home furnishings that reflect my signature style. I’m still passionate about Asian artefacts and antiques but this collection also embodies a 40s French Moderne aesthetic. Every piece is designed to be the focal point that inspires the look and feel of the rest of the room. Interiors by Donna Livingston Iván Meade - Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Donna Livingston - I am as proud of my charitable work as I am of my work in design. So I’ll use this space to advocate for two causes that are close to my heart. The Concern Foundation funds cancer research worldwide. In the past 40 years, the Foundation has raised well over $41 million dollars to cultivate the expertise of outstanding young investigators and to sustain the progress in prevention and treatment of cancer. I am also on the Board of Directors of Jazz Aspen Snowmass which presents and preserves jazz, American and popular music through world-class festivals, performances and education programs including scholarships, school and summer camp programs. Finally charities for underprivileged children like Children Uniting Nations are also very important to me. I invite you to visit Donna Livingston’s stunning body of work at:
In Conversation with Darrin Cohen
Darrin Cohen I discovered Darrin Cohen’s work through the marvels of social networking. I was so pleased when he offered to do an interview for our blog, and greatly looked forward to knowing more about the man behind his great designs. In 1989 Darrin acquired his Bachelor of Fine Arts from a combination of schooling at Frank Lloyd Wright School of Architecture and Design in Chicago and University of Illinois. He is very passionate about design as one can see in his varied careers over the years: Interior Designer, Graphic Designer, Trivia Game Designer, and Marketing Consultant. He seems to have found his niche with his current company, established in 2000, Darrin Cohen Design and sister company, Darrin Cohen Fine Art. His website describes his services as “photography, painting, graphic art, illustration and the construction of interior, exterior, public and private spaces”. Upon browsing his interior design portfolio I discovered that Darrin’s spaces are clean and elegant, but not without unexpected elements such as his artwork, an interesting light fixture or a unique material. His spaces are collectively warm and comfortable looking without relinquishing that crisp feeling. Mr. Cohen’s artwork is equally impressive. His pieces are as varied in technique as they are in subject matter – he tries everything with great success. I highly suggest reviewing his portfolio to see which works strike you. Please read on to learn more about this talented designer/artist… Iván Meade – What was your first experience with design? Darrin Cohen - When I was young my parents bought a house in Rosedale in Toronto and tore it down to build a custom home. I helped my parents design their home from the ground up. Interiors by Darrin Cohen Iván Meade – Who or what has influenced your style? Darrin Cohen - I have not been influenced by one person or event in my life but rather by my surroundings at any given moment. I am always inspired by architecture and find traveling to new cities very inspiring. I am a very detail oriented person so I try to pay attention to details when I travel and incorporate them into my designs. Interiors by Darrin Cohen Iván Meade – How would you describe your style? Darrin Cohen - Warm modern with a nod to traditional. Comfortable and contemporary with colour accents. Interiors by Darrin Cohen Iván Meade – What is your design philosophy? Darrin Cohen - My philosophy is very simple. Listen to your clients and pay attention to details. Good design is like storytelling – it’s all in the editing. It is the details that make a space unique. Interiors by Darrin Cohen Iván Meade – Your fine art is very diverse – what is your favourite medium and/or subject matter? Darrin Cohen - I love photography because it is immediate and the camera never lies – it captures things you miss with the naked eye. I also like to paint and create mixed media pieces. I don’t have a favourite subject matter – I think art can be created from anything that inspires you. FIne Photography by Darrin Cohen Iván Meade – You have many different collections in your fine arts portfolio, many of them have content and colour combinations that show no fear whereas your interiors are much more subdued and calm – both are very beautiful in their own way, is there a reason for the different approach you take to your fine art and your interiors? Darrin Cohen - When I am designing for clients, they often dictate the direction the project takes. Even if they don’t express it specifically, I am always listening and trying to find the details that will lead me in the right direction. That being said, I believe that a home should have a sense of calm and, most of all, should be comfortable. While the overall design may be subdued, I will often use a pop of colour as an accent. When I am creating art, I am free to explore without restrictions or reservations. My surroundings, a life experience or the way I feel at a given moment can all have an effect on the direction I take. The release of this creative energy can be both relaxing and an enlightening journey. Fine Photography by Darrin Cohen Iván Meade – Our career paths are very similar, branching out into several facets of design; which facet of design is your favourite and why? Darrin Cohen - For me, design comes in many forms. Whether it’s an item of clothing, a car, a piece of art, a building, a film, or even a plate of beautifully presented food, I see design. I love it all, so there isn’t one facet of design that I prefer. I appreciate it in all its manifestations. Interiors by Darrin Cohen Iván Meade – What are you excited about right now in the world of design? Darrin Cohen - I am most excited about how the world has started to appreciate and embrace design in all aspects of life. Design has always been around us but never more appreciated. Interiors by Darrin Cohen Iván Meade – What would be your dream project? Darrin Cohen - To design my own line of products, fabrics and wall coverings, combining my fine art and commercial design sense. When working on a design project, there are often obstacles or sacrifices to be made because you can’t find that special piece – creating custom products would solve this challenge for me. Interiors by Darrin Cohen Iván Meade – What project has given you the most satisfaction? Darrin Cohen - Every design project gives me satisfaction and I learn something from every project – about myself and about others. Working with different people all the time gives me insight into what makes us all unique. If I can educate a client about design in the course of a project, it is a great sense of satisfaction for me. I think the project that gave me the most satisfaction was designing a house for a good friend of mine. It is wonderful to be there for dinner and to watch them entertain and truly enjoy the spaces that we created together. Interiors by Darrin Cohen Iván Meade – What is the best advice (design related or otherwise) that you have ever received? Darrin Cohen - I have been given so much great advice over the years, but one that stands out is – if you are about to get frustrated or say something you don’t really mean, stop and think about it, don’t react. In the end, you will always make a better decision. Interiors by Darrin Cohen Iván Meade – What are 3 things you each can’t live without? Darrin Cohen - Family & Friends, Traveling and Exercise. Friends, because they accept you for who you are and they don’t judge. Travelling for the insight and stimulation it always brings. Exercise for the energy and the way it makes me feel. Interiors by Darrin Cohen Iván Meade – What is your next design venture? Darrin Cohen - This interview has really made me think a lot about my design business and has inspired me to stop talking about creating my own product line and just do it! Fine Photography by Darrin Cohen Iván Meade – Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Darrin Cohen - Thank you so much! If I had a legacy, it would want people to remember me as a designer who appreciated all aspects of design and always tried to enlighten and educate others about the positive effect it has on our culture. Ultimately it would be to inspire others I invite you to visit Darrin Cohen’s stunning body of work at:
In Conversation with Heather Draper
Heather Draper As seen in SNAP, May 2010 Vivacious and sociable co-owner of Bespoke Design, Heather Draper has made quite the name for herself in Victoria. She is an expert multi-tasker, tackling a retail shop, interior design career, and a blog. Her store (with co-owner Ben Brannen), is one of the most buzzed about on the island and carries beautiful bedding, furniture, window treatments, and lighting. As well as special pieces from local artists and exclusive resources from around the globe. Interior design services are also offered through Heather and Ben both through the store and individually. You may have seen the features on Bespoke in Western Living or Style at Home, or at the Canadian Home Builders Home and Garden Show in February, where her and Ben gave a demonstration of tips and tricks for helping your home look its best. Heather worked in several home décor shops while attending university, where she realized that her passion was in interior design. While working at Cushy Life in Calgary, she obtained a certificate of interior decoration and proceeded to launch her own design firm, Eden Interiors in 2003. In 2007, Heather and then business partner Jonalyn Siemens brought Bespoke to Victoria and the store has been thriving here ever since. To know her is to love her, please read on to learn more about this talented designer… Iván Meade – What was your first experience with design? Heather Draper – Well, my sister tells a story about me furnishing shoe boxes with pictures cut out of the sears cataloged in grade school, which I am pretty thankful I don’t remember! I think it was something I have naturally done since then...but I really started to recognize it as a love with the early days of HGTV...loved Debbie Travis’s painted house, Sarah’s room service etc... Little embarrassed to admit it really... Interiors by Heather Draper Iván Meade – Who or what has influenced your style? Heather Draper – Tricia Guild is a huge inspiration, lately Kelly Werstler inspires me...not with their work perse but with their absolute confidence in their aesthetic, which has shown me a level of artistry can and should be achieved in interior design. From a mentor perspective, I must mention Jacqueline Corea of CoreaSotropa Design in Calgary, who I was lucky enough to meet as a little volunteer at the 2001 Calgary Designer Showcase, I have always admired her talent and the way she carries herself, I want to be her when I grow up! Interiors by Heather Draper Iván Meade – How would you describe your style? Heather Draper – Well I would say that I love what I love (thanks Tricia and Kelly for that confidence) and I love almost everything!! I have to say I take the most pleasure in combining elements in unexpected ways, always in a subtle manner, to achieve a layered, lived in space that will age gracefully. Interiors by Heather Draper Iván Meade – What is your design philosophy? Heather Draper - I don’t believe the design of the room should be the most important element, but rather ,the people in it. To me a great room should whisper sophistication, elegance and interest, softly, to those who chose to listen. Interior Design by Heather Draper . Iván Meade – How have you found the Victoria design scene and projects differ from those in Calgary? Heather Draper – I love working in Victoria, I really seek to create a space that resonates with my clients, which may and often is not in keeping with current trends. I have found Victorians embrace their our personal tastes without reservation, this honesty allows me to create a space I know they will love now and in the future. Interiors by Heather Draper Iván Meade – You recently gave a presentation at the Canadian Home Builders Home and Garden Show, do you have any more plans to share your design knowledge with the public? Heather Draper – Is it terrible to dream of my own show??? Well really, I am just so passionate about what I do and I do love sharing that with others..any opportunity to do that is something I look forward to..though I often wish I could have a body double!! Interiors by Heather Draper Iván Meade – What product or line are you most excited about right now at Bespoke? Heather Draper – Not fair! We have to much good stuff!! I think I am proudest to showcase Fortuny Lights from Venice. I have always loved them, and believe them to be the perfect combination of art and function, they also underline my belief that purchases for one’s home should be an investment. Fortuny Lights available at Bespoke Iván Meade – What are you excited about right now in the world of design? Heather Draper – The copious amounts of linen being embraced by fabric manufacturers right now. I love me a little linen, in all shapes and forms and love that it is absolutely everywhere right now, printed, woven stripes, hopsack weave...oh it is just too good! Bespoke Photo via Style at Home – Jo-Ann Richards Iván Meade – What would be your dream project? Heather Draper – Top to bottom, head to toe, cribbing in candles...I love to be involved in an ENTIRE project. Interiors by Heather Draper Iván Meade – What project has given you the most satisfaction? Heather Draper – Well I might have to say Bespoke, the store, really....It is my baby and I love how it has blossomed and continues to grow into an entity all its own. Interiors by Heather Draper Iván Meade – What is the best advice (design related or otherwise) that you have ever received? Heather Draper – can’t think of any individual advice but I have a couple of motto’s I live by. “ look at the solution not at the problem” and “be the architect of your own life” the first has helped me over many hurdles in my career and the second reminds me that only I am responsible for my success or failur Interiors by Heather Draper Iván Meade – What are 3 things you each can’t live without? Heather Draper – The first is my husband, a cliché I know, but he is truly the mortar to my bricks, I have all these dreams and work tirelessly to build a career I can be proud of...but when, as I often do, take on more than I should, he is the support that holds our life together. The second is my identical twin, support,comic relief and a reality check in one fashionable package...and who better to test drive the next hairstyle??? Finally I think my work...the freedom to explore my passion every day...who would not want that? Interiors by Heather Draper Iván Meade – What is your next design venture? Heather Draper – I am most excited about a new home past clients in Calgary just purchased, I love working with repeat clients, they expect my crazy personality and trust me as a designer. Bespoke Iván Meade – Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Heather Draper – I really hope I can inspire people to do what they love, I know it has been the secret to my success and hopefully I can be an inspiration to some one, whether in design or something else, to embrace who they are, what they love, and create the best life for them. I invite you to visit Heather Draper’s website at: .
In Conversation with Paul Corrie
Paul Corrie A master of tone-on-tone, soft, neutral colour palettes, Paul Corrie puts a “modern twist on traditional design”. His combinations of sleek, clean lined pieces and rustic woods create such a wonderful atmosphere in his spaces. His attention to detail is evident in the way that he features a stunning array of accessories, antiques and art in his designs. Paul left his law career to pursue his passion – interior design; now his Washington, D.C. design firm, Paul Corrie Interiors, has caught the attention of HGTV, as well as The Washington Post, Home & Design Magazine, and Washington Spaces Magazine. In 2009, he made Metropolitan Home’s Top 20 “Rising Stars,” and in 2010, he made Traditional Home’s list of “20 Young Designers to Watch” – it seems like he made the right choice! Interiors by Paul Corrie Please read on to learn more about this talented designer… Iván Meade – What was your first experience with design? Paul Corrie – I’ve always been drawn to design…probably my whole life…While growing up, I used to switch my bedroom around all the time while constantly editing myself. As a professional, I didn’t enter the design field until shortly after graduating from law school…I was encouraged by a wonderful mentor to pursue (what appeared to him to be) my true calling, interior design, so I began my career by working in a contemporary furniture store in Washington, DC. Interiors by Paul Corrie Iván Meade – Who or what has influenced your style? Paul Corrie – Interestingly, it isn’t really a person that influences my design style. What actually influences my design style more than anything else is my comfort level, ability to challenge myself, and confidence to step outside the box. Of course, it’s important to stay on top of the work of other designers and current publications…Just like working out, you have to exercise your mind or your work product will become stagnant and repetitive. I’m constantly inspired by other designers and their selections, and I think this helps all of us (as designers) to push ourselves to be better. Interiors by Paul Corrie Iván Meade – How would you describe your style? Paul Corrie – I would say that my style can best be described as Modern Traditional…With that said, I also try to create environments that are elegant yet casual at the same time…Spaces should be used and versatile for various purposes and functions. They should be relaxed and not too stuffy. I’m obviously a big fan of mixing old and new pieces together, and I’m also partial to mixing periods and styles together…I think it helps create a truly timeless environment, shows the capabilities of a designer, and pushes the “sophistication envelope.” Some clients want a project done in 12 weeks and others can take much longer, but I always try to weave a common thread through my designs…I like spaces to appear as though the homeowner is surrounded by their collections…Collections that they have acquired over a lifetime…and it’s very important to me that one surround themselves with pieces that they truly love…It’s about editing and creating spaces that are carefully thought out and liveable, yet stunningly beautiful at the same time. Interiors by Paul Corrie Iván Meade – What is your design philosophy? Paul Corrie – I would say that my design philosophy is relatively simple…First and foremost, it’s about listening to a client and what their needs are with respect to a particular project, and then delivering that to the client with a PCI stamp on it. It’s about helping people get to an end with a finished product that they could never have dreamed of or accomplished on their own, and sharing my ability to aesthetically give them something fresh, carefully thought out, and well done. Interiors by Paul Corrie Iván Meade – How do you feel that your previous career in law has affected your career in interior design? Paul Corrie – I’m privileged and grateful for my law school education. I think it helps me immensely in this field since law combines analysis, creativity, and balance. Design is, of course, about creating beautiful environments, but at the end of the day, it’s a business. You have to have a strong business sense to be a great designer. Interiors by Paul Corrie Iván Meade – You are quite mysterious when it comes to finding out more about you, I had trouble finding information for my intro. Could you tell us a little more about yourself? We love to hear about our interviewees path to success! Paul Corrie – I don’t mean for my life to be so mysterious! Yes, I grew up in Northern Virginia, where my parents still reside, and I’m extremely close to them…My sister and brother-in-law also live very close as well with my two beautiful nephews, so I’m fortunate that we get to spend lots of holidays together. I went to the University of Virginia for my undergraduate degree and then immediately went to law school afterwards at the Dickinson School of Law in Carlisle, PA . As I said, I pursued design shortly thereafter (and at the strong encouragement and support of my parents), while somewhat reluctant because my father is a lawyer. I soon realized, though, that I made the correct decision and feel this was my true calling. I love what I do and wake up looking forward to it every day. I currently live in Washington, DC with my partner, Steve (soon-to-be husband…yes, we will soon get to exercise our newfound right in the District!) and our shih-poo, Cindy. We both have very similar interests in working out, spending time with friends, and most importantly, being with our families. Interiors by Paul Corrie Iván Meade – What attracts you to your signature colour palette of tone-on-tone, soft neutrals? Paul Corrie – My friends make fun of me for this because they argue that I don’t use color…I actually do use color and have lots of clients that challenge me to that request as well. With that said, I’m drawn to soft neutrals because I think they allow one to layer. It’s important to appreciate all of the elements of a space and if not carefully edited, the eye misses so much. I’m so partial to furniture that has texture and patina that I want those pieces to be appreciated and admired for their individual beauty. Keeping the fabrics subtle and understated helps encourage this, and by layering, additional color can always be introduced…it’s easier to add than it is to take away. Interiors by Paul Corrie Iván Meade – What are you excited about right now in the world of design? Paul Corrie – I’m excited about how positively the Internet has impacted our profession. I love the fact that antiques from around the world are now so accessible by logging onto a simple website. I think that so much more product and information is available to designers which only aids in our creativity and ability to challenge ourselves. Interiors by Paul Corrie Iván Meade – What would be your dream project? Paul Corrie – Well, of course, the dream project is one without a budget…any designer can tell you that! That was more of a joke…budget or no budget, a dream project is one in which the client expresses their goals and wishes, and then listens to and takes the advice of the designer / professional. This is a profession where so much faith and trust is put into an individual that may or may not have something tangible to show them. The ability to be a good designer, however, isn’t in a piece of paper and can’t necessarily be taught, and so a great deal of understanding design and one’s ability can be as simple as this…Some people have it and some people don’t. As far as a dream project is concerned, whenever I feel like I have true creative control and the opportunity to do what I know how to do, I have a dream project. Iván Meade – What project has given you the most satisfaction? Paul Corrie – I was thrilled with the project that was selected for my “Top 20 Designers to Watch For” in March’s Traditional Home. The client is actually a dear friend of mine, which definitely led me to have reservations about working together…I don’t like to mix business with pleasure. The client, however, was very clear in what he a wanted, and as a result of our friendship, we had an extremely strong and open line of communication throughout the process. The result was an environment that he continues to say he could never have imagined, and I couldn’t be happier with the finished product. Interiors by Paul Corrie Iván Meade – What is the best advice (design related or otherwise) that you have ever received? Paul Corrie – Trust your gut. Interiors by Paul Corrie Iván Meade – What are 3 things you each can’t live without? Paul Corrie – I think my favourite quote could be interpreted as 3 things I can’t live without…”Live, laugh, and love.” Interiors by Paul Corrie Iván Meade – What is your next design venture? Paul Corrie – I’m very excited about a newly confirmed design project that’s going to take place at a cottage in Cape Cod…”Cottage in Cape Cod” alone makes my mind run wild with idea after idea, and I love that. Interiors by Paul Corrie Iván Meade – Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Paul Corrie – As my mom says, “Paul, you would’ve made a good lawyer, but you’re going to be a great designer.” That’s what I want my legacy to be… I invite you to visit Paul Corrie’s website at: and his blog at: http://paulcorrieinteriors.wordpress.com/
In Conversation with Josée Lalonde
Josée Lalonde Josée Lalonde is the principal at Josée Lalonde Real Estate Staging in Victoria B.C. – one of the most fresh and innovative staging companies in Victoria B.C. In 2007 Josée successfully completed her Canadian Staging Professionals Course and was granted her CSP designation. Josée’s success speaks for itself. It is clear that she is going places and her sexy French accent doesn’t hurt either. I had the pleasure of meeting Josée a couple of months ago when she approached Meade Design Group to create the graphic identity for her new venture as a Residential Stager. Since then we have shared a friendship and a common interest in interior design. I have always admired the “Je ne sais quoi” and the enthusiasm that Josée brings to any of her projects. Iván Meade – What was your first experience with design? Josée Lalonde - I first fell in love with the art of home design in my mid-teens. My parents had given me "carte blanche" to redesign my bedroom and my creative juices just went bananas… I don’t think Mom and Dad knew that they had created this ‘design monster’!! It was such a positive experience; I invented a really novel bed space with stairs leading up to the mattress and all sorts of fun stuff like that. I had constructed new bedside tables, they let me choose new bedding, and then I finished it all up with a fun paint color. That was probably the moment when I realized that I had a true passion for design. I was just hooked, I guess! Staging by Josée Lalonde Iván Meade - Can you tell me more about your services and how they may be beneficial to our readers? Josée Lalonde – One of our favourite services is “Staging for Living” whereby we redesign the home using as much of the existing furnishings and accessories as possible, but getting rid of what needs to be removed, then recommending the adding-on of new items to really freshen things up. It’s a simple, economical, and effective way of reinventing your home; updating the look even if you are not selling. It’s funny how sometimes I get to provide that service to clients who hired me to help them sell one property, but were so impressed with the outcome of the staging that they say they want “something like that” done to the home in which they live. Also, we offer “sourcing out” as a service that interests a lot of people; I am so familiar with what’s out there in the home design market that I can quickly find and purchase that certain something that is missing in a person’s home to make it more special. Another of my favourite things to do is what I call “Staging for Occasions”; if you are having a party or hosting a special occasion or just want to give your home a more ‘seasonal’ flair, I’ll go in and reconfigure your space, add or remove furnishings and then decorate it for the occasion. I guess it’s just my personality but I get really excited for holiday events and I really love to go ‘all out’ to make a place look festive, whatever the occasion. Staging by Josée Lalonde Iván Meade - What is unique about Josée Lalonde from other Real Estate Stagers? Josée Lalonde – Hah! I’ve been so flattered by what people have said about my work but I’ve always considered myself as ‘just Jo’. And that’s pretty much what I bring to the table. So I guess I am as unique from other Real Estate Stagers as I am from you, Ivan! I look at this job as not really a job. It’s something I think about constantly anyway! The creations pretty well happen in my head. Once I’ve got the bits, parts, and pieces together, the rest is just a matter of getting it done. Everyone is unique. This is just a labour of love for me. Staging by Josée Lalonde Iván Meade - What is your design philosophy? Josée Lalonde – Every house as a soul and a personality; my goal is to bring it out. When I do a walk through with the client I always ask about the history of the house, old or new. From there, I can begin to “design” the space to capture its soul and personality. Just like people, all homes are very different from one another and in staging we try to make the homes more appealing to a broader array of potential buyers by making them more mainstream. But I think the key is to bring out the home’s true character. Staging by Josée Lalonde Iván Meade – How do you describe your style? Josée Lalonde – I would describe my personal style as ‘Bold Elegance’. That’s a bit of a tricky question to answer because, in home staging, you can’t really limit yourself to one specific style. But my favourite is bold with elegance as I always like a bright punch of color, or big and funky items, and then I try to mix it with soft clean lines. Staging by Josée Lalonde Iván Meade – Who or what are your greatest design influences? Josée Lalonde – There are so many things and people that influence me in design! What influences me the most is fashion; if you can see it on the catwalk you can definitely see it in home design. The mix of different textures, the bold accessories, the combinations of colors, the marriage of different styles – I’m influenced by it all! I truly think they go hand in hand. As for who, I am a big fan of Jonathan Adler. I appreciate his use of bold colors; but what I really love is that he adds a lot of fun and humour with his accessories. I see him as I see myself; he is obviously serious about his work so he is a well-respected and extremely successful designer, but at the same time, he doesn’t take himself too seriously. Staging by Josée Lalonde Iván Meade – Can you tell us why it is important not only to have a well-staged place but also a well-stylized place? Josée Lalonde – A combination of both is extremely important to present the result that both the client and the potential buyer is looking for. Not only is it important to highlight the space of a property when purchasing a home, but there must also be a strong emotional connection to it. The potential client needs to feel like “I could easily live here”. It needs to encapsulate them the moment they walk in and stylistic “eye candy” is the way to do it! Staging by Josée Lalonde Iván Meade – What is the one thing in life you cannot live without? Josée Lalonde – Colour! I need colour in my life! Without it, it is lifeless. It gives me my energy, my positivity and my inspiration to create. In home staging, “neutral” is a key word but there is always place for a colour!! Staging by Josée Lalonde Iván Meade – What motivates you to do your best on the job? Josée Lalonde – In my work, I am a hopeless perfectionist. I can’t help it. I’m always learning and I love to push myself to be the very best that I can be. But I suppose what ultimately motivates me is the approval of the client. Although in staging, the end result is directed towards the potential buyer and not the owner, it’s just so gratifying to see the look of stunned amazement on the owner at ‘the big reveal’. Staging by Josée Lalonde Iván Meade – What are you excited about right now in the world of design? Josée Lalonde - Sustainability. It’s so encouraging to see how much the design world has progressed in the aspect of sustainability. I love being a part of that sort of awareness. The recycling and reusing of furniture, the eco-friendly paints and fabrics and the new technologies that surround all of it are really refreshing. It’s exciting to think we are able to design or redesign our spaces and feel good about it by being mindful of the need to minimize our carbon footprint. Josée Lalonde I invite you to discover Josée Lalonde’s work at her website Ivan Meade is a local designer and principal of Meade Design Group, a multidisciplinary interior and graphic design studio in the heart of downtown Victoria – www.themeadegroup.com .
In Conversation with Garrow Kedigian
Garrow Kedigian Canadian-born designer Garrow Kedigian has been working in New York with his self-titled firm for the last eight years and has found great success in the fields of both interior design and architecture. He has designed urban boutiques, stylish residences and beautiful office spaces for his clients and has been recognized by the media for his efforts. Garrow has been featured in Architectural Digest, House Beautiful, Elle Décor and the New York Times. He was also named one of Traditional Home’s “20 Young Designers to Watch”, and was included in the exclusive Kips Bay decorator show house for 2009. Garrow’s spaces are varied in style but always show great taste and flair. His sense of proportion, drama and sightlines are the staples of his designs; I love the statement he has included on his website “The architecture is what sets the tone and tells you what you need to do with a space” because I agree with that wholeheartedly. I also enjoy seeing the array of artwork Garrow includes in his spaces and the unique ways he showcases it. His work always appears refined and well put together but not too put together – they seem comfortable and eclectic, the furniture does not look like it was chosen from the same page of a catalogue, each piece has been carefully chosen and has character. Mr. Kedigian attended McGill University’s architecture program in his hometown of Montreal, Quebec. After completing his formal education Garrow moved to Boston, Massachusetts followed by his current locale, New York, to gain experience with some of the top designers in North America. He now runs his company from his Upper East Side studio/apartment. If you are looking forward to hearing more about this talented designer as much as I was, please read on… Iván Meade – What was your first experience with design? Garrow Kedigian - At age 7, I had an inkling that my parents living room felt off-balance. After carefully studying the room, I decided to try the piano at the opposite side of the room, and surprised even myself at how such a decision made such a giant impact on the space. That opened up my mind to the importance of design, layout, and planning for a room. Interiors by Garrow Kedigian Iván Meade – Who or what has influenced your style? Garrow Kedigian – After graduating from McGill Architecture, I was fortunate enough to get a job working at the office of William Hodgins, one of the best in the Interior Design business. Working for Mr. Hodgins for 6 years certainly shaped, refined and influenced my work: I am often complimented by people who learn I’ve worked with him when they remark ‘I can see that….’ Other noted design influences are Marjorie Shushan, who I worked with when I first came to New York- her calm gracious and extensively thought-out rooms capes are un-paralleled, Jeffrey Bilhuber, who I consider to be one of the greatest design talents of our time, and the Architect Alex Gorlin (the latter two designers I have more recently had the pleasure of collaborating on a few projects with. Interiors by Garrow Kedigian Iván Meade – How would you describe your style? Garrow Kedigian - Often, when first meeting with new clients, this is one of the first questions they ask me; and I find it a complex one to answer. I guess if I have to give a definitive reply it would be ‘streamlined classic’. I feel good design is sustainable and lasting, and principles which have been learned over the development of a design tradition are rooted in classic principles. This does not necessarily mean the room has to be fussy with florals and chintz, I think even successful modern rooms are based on simple classic principles of organization. My work is definitely founded in the classic, but paired back, and finds itself defined somewhere in between traditional and contemporary, simplified and addresses the fact that we are working today and not in the past. Interiors by Garrow Kedigian Iván Meade – What is your design philosophy? Garrow Kedigian – A well planned space is based on a combination of design inspiration, which is the initial ‘first response’ to a room/ space when walking through if for the first time; this coupled with the culmination of that inspiration using a well structured process of design development. I often start with inspiration sketches, and build upon those with more intricate design drawings, studying massing, scale, proportion. I feel the architecture of the room is symbiotic with the interior design and the two cannot be independent of one another, a successful space is a marriage between the two, and I feel my background trained as an architect helps me in the design development phases of all my projects. A successful room is always defined by a well organized and thought through furniture layout plan, Interiors by Garrow Kedigian Iván Meade – How do you feel that growing up in Canada has influenced your style and career in New York? Garrow Kedigian – Canadians are very European in a way, inherently stylish and understand the importance of quality over quantity. I feel like Montreal was a really lucky place for me to grow –up; the city has distinctive French and British influences in its architecture and design, a very unique place; growing up I took all that for granted, and it’s only now starting to reveal itself as great fortune Interiors by Garrow Kedigian Iván Meade – I admire the range of artwork that you feature in your projects, what attracts you to a piece? Garrow Kedigian – Artwork is often a window into the personality of the client, which is why there is a varied range of works in my projects as you describe- I always leave art to the end of the project, that way I’ve had a chance to get to know my client during the interim of the design/ development stages of the project, and the last shopping expedition is usually the one for art, since it’s such a personal thing. Sometimes clients have their own collection of artwork, which is a consideration in the design phases, but when I have the opportunity to select their artwork, I always select the pieces that I feel reflect the client and (maybe a little selfishly) compliment the design of the space the best! Interios by Garrow Kedigian Iván Meade – I’m not going to sugar-coat it, I am very jealous that you got to work on the Kips Bay show house! What was that experience like? Garrow Kedigian – Kips Bay was an eye-opener- the thing I enjoyed most was watching all the other designers work in their rooms and seeing how everyone does things; similarities in design strategies are comforting and differences are curious and enticing! I had the smallest room at the 2009 Kips Bay Show house, and I wanted it to pack a punch. I gave the space some simple architecture by painting lines/paneling at the walls throughout, which helped pull the space together and dictated the organization of furniture and artwork… Interiors by Garrow Kedigian Iván Meade – What are you excited about right now in the world of design? Garrow Kedigian – I’ve seen many trends in this business, and I’ve tried to avoid them, because I feel trendy isn’t always sustainable; but recently I’ve noticed fabric showrooms commissioning designers to design their fabric lines, which I think is a great idea, since I’m always shopping and thinking ‘if only that came in a larger scale, or if only that one was available in a green color way’… etc. I’ve loved everything I’ve seen in these designer lines so far! Interiors by Garrow Kedigian Iván Meade – What would be your dream project? Garrow Kedigian – I think giving a classic Georgian house a ‘streamlined- make-over’ would be the perfect job; I saw a house a few months back when visiting another client in the suburbs which would be perfect to renovate and create in (of course the dream aspect would include an unlimited budget, and a client who said ‘just do it, and I’ll be back in 6 months’…) Interiors by Garrow Kedigian Iván Meade – What project has given you the most satisfaction? Garrow Kedigian – I would say the Kips Bay Showhouse, since I had a clear and underlying concept for the space, and so many of my designer colleagues appreciated it so much! I felt so fulfilled by this appreciation… Interiors by Garrow Kedigian Iván Meade – What is the best advice (design related or otherwise) that you have ever received? Garrow Kedigian – I think the best advice, both related to design and perhaps can be applied to life in general, was by Marjorie Shushan who told me ‘always be careful to make sure you don’t overdo things…’ which resonates true in everything. Interiors by Garrow Kedigian Iván Meade – What are 3 things you each can’t live without? Garrow Kedigian – the three things I can’t live without are 1) a measuring tape in-tow all the time; 2)Sketching paper and a good pen to sketch/ draw with, 3)My scale ruler…I can’t live without my measuring tape and I always make sure I have one handy, I always measure things when I find something with a pleasing proportion; I’m always sketching and drawing, and I could never leave home without a pen and paper to sketch with, and my scale ruler (which I had a woodworker of mine cut down to fit neatly in my pen case) as I’m always studying plans and measuring dimensions on things… Interiors by Garrow Kedigian Iván Meade – What is your next design venture? Garrow Kedigian - I’ve recently been hired by a client who purchased the apartment of Jaimie Drake (a very well know New York City Interior Designer), Jaimie’s vision and color sense are amazing, and I am excited to see how the client will have me reshape and redesign the space to meet her requirements. It’s an amazing space, with a tremendous and gracious living/ dining room ensuite, with tremendously high ceilings, enormous windows, and the best part is that it is in an old Piano Factory building (!!) Interiors by Garrow Kedigian Iván Meade – Lastly, you have already created a stunning body of work with many mediums and styles. What would you like your legacy to be? Garrow Kedigian – I guess at the end of all this, I’d like to publish a book featuring some of my work and my sketches and drawings, which will hopefully, someday, be inspiring to others who have this passion for design! Interiors by Garrow Kedigian I invite you visit Garrows Kedigian’s webiste to discover more of his stunning body of work. .
In Conversation with Victoria McKenney
Victoria McKenney As seen in SNAP, March 2010. Victoria McKenney is the Principal and Founder of Enviable Designs, an interior design firm based out of Vancouver that specializes in creating warm and inviting residential spaces. Her tagline “comfortable sophistication” says it all. Victoria has always had a passion for art, she holds a Bachelors Degree in Art History from UBC as well as interior design training; she also continually travels through Western Europe for inspiration. In addition, Victoria is a member of several design associations including CDECA, NKBA, and the Inter-Society Color Council of New York and has been featured in the Style At Home blog and the recent book, Spectacular Homes of Western Canada. She has also had the distinction of receiving design honours such as the 2009 Professional Design Award competition by the Canadian national CDECA Association in the category of “Best Interior Under $25,000” for a master bedroom re-design in Kitsilano. Victoria was the only British Columbian designer who won first place this year. I had the pleasure of meeting Victoria over a year ago when we were invited to the evening with Barbara Barry and I am now working with Victoria on revamping her graphic image and business cards. Once I was able to look through her portfolio and got the chance to know her warm and friendly personality I thought she would be a great interview to have on our blog. Please read on to learn more about this local talent. Iván Meade - What was your first experience with design? Victoria McKenney - When I was little, my father had a large collection of yachting magazines. I used to pore over his collection, paying particular attention to the floor plans and imagining the interiors of the boats. I didn’t even know why I liked looking at the plans, there was just something about the line drawings that I found so engaging. Interiors by Enviable Designs Iván Meade - Who has influenced your style? Victoria McKenney - Barbara Barry first and foremost – her classic, clean style has a way of making spaces timeless. I always feel that if a well-designed space doesn’t date easily, that is the mark of true success. I’ve aspired to avoid using trendy objects or materials for exactly this reason; to keep my designed spaces fresh for longer periods of time. I also like Candace Olsen because she’s quite well rounded as a designer, she’s not just a personality that’s been branded as a designer which is so common these days given the popularity of reality tv. Candace can do everything from AutoCAD to design boards to furniture design. I find her style has a warmer feel and frequently extends vertically throughout a space, using every available area to add something to the overall design. Interiors by Enviable Designs Iván Meade - How would you describe your style? Victoria McKenney - Classic and comfortable - soft and sophisticated. I try to stay away from the “it trends” or the next big thing; ideally singling out materials that contribute to a space’s timelessness. I like to think of my style as gender-neutral but obviously as a young female designer I do tend to accessorize with softer more organic items. Interiors by Enviable Designs Iván Meade - What do you consider to be your greatest strength as a designer? Victoria McKenney - I’d say my greatest strength is the ability to compile a client’s goals and visions and translate them into an efficient, comprehensive design concept. Interiors by Enviable Designs Iván Meade - You mention that you enjoy repeatedly exploring Western Europe, what inspires you most about these travels and how do you interpret this in your designs? Victoria McKenney - I’m influenced strongly by my surroundings; whether I’m in Rome or Vancouver Island. I’m always picking up little things here and there. After returning from an Italy trip years ago my style was quite obviously affected; the materials and age of the Mediterranean décor inspired me to use more natural stones and character rich materials to give spaces an aged, impressive ambience. Interiors by Enviable Designs Iván Meade - How/why did you start your own firm? Could you tell me a little about the history of your company? Victoria McKenney - I grew up under the guidance of my father’s entrepreneurial spirit and I saw the benefits of it from an early age. I wanted that flexibility and control for myself as I just couldn’t see working for a someone else’s design company; the way so many designers start out. I wanted to work for myself and with the freedom to choose my own projects and design direction. It was an ambitious entrance into the design sector but I feel it was the only way I could personally work and develop my trade. Interiors by Enviable Designs Iván Meade - We recently worked together on revamping your graphic identity; how important is your graphic identity to your business’ success in Vancouver? Victoria McKenney - Until recently we didn’t have a single graphic mark or definite logo for the company. All of our promotional materials, etc were based simply on the company name and my name so we felt it was time to equate the company with an easily recognizable mark, a stamp of excellence of sorts. The new brand is the summary of all of our goals for the company and we’re very proud of how its all come together. With regards to company success I feel that the new graphic identity will dramatically increase the Vancouver publics awareness of our brand. Iván Meade - Do you consider being young in the business as advantage or disadvantage? Victoria McKenney - Both. Sometimes clients assume that I am inexperienced because of my age although with 6 years of designing interiors, I feel well versed in my trade. I still learn something on every project I work on and hope that to be the case forever. Being young also means, however, that I’m armed with fresh new ideas and positive energy. I gave a design lecture at a the University Women’s Club in Vancouver years ago and the women there were stunned at my age, yet clients frequently remark on my maturity and professionalism. I see both sides on every single contact. Interiors by Enviable Designs Iván Meade - What was it like to be published in “Spectacular Homes of Western Canada”? Victoria McKenney - Fulfilling. It was a wonderful new direction for me, to see my work published in a book format, even though I’d been poring over those project photos for months and that specific project for more than a year. But when the book was published it made that project feel so much more real and rewarding – it was also excellent closure for my largest project to date. Interiors by Enviable Designs Iván Meade - Last year we both had the opportunity to attend a dinner in honour of Barbara Barry. What was your impression of the event? Victoria McKenney - It was great to meet in person such a design icon, and specifically MY design icon. What I found amazing about her was that her personal style was a complete reflection of her design style (or vice versa?). She IS classic. Also I was pleasantly surprised at her explanations for the new fabric and wallpaper lines and how they were inspired and influenced from a recent trip to Japan, but also from the colors and patterns of the Pacific Northwest, from where she spends significant amounts of time. Interiors by Enviable Designs Iván Meade - What are you excited about right now in the world of design? Victoria McKenney - I’m excited that eco design is becoming more accessible. Not only are there more products on the market to choose from but that the cost is no longer as prohibitive as it once was. Within the next 5 years, I think most design elements will have green alternatives and I hope to capitalize on this with my designs. Interiors by Enviable Designs Iván Meade - What project gave you the most satisfaction? Victoria McKenney - A large new-build waterfront home in Whiterock, BC. I was involved from the time the foundation was poured so to see it finished nearly two years later was a major achievement. The project had complicated design schemes and I was thoroughly entrenched in every element of the design. It was a significant challenge and an even bigger reward upon completion. Interiors by Enviable Designs Iván Meade - What would your dream project be? Victoria McKenney - I would love to work on a new build vacation home on the sunshine coast. I recently visited Tofino and was inspired by the ocean and dramatic coastal landscapes. I’ve never worked with west coast contemporary architecture and I think the challenge would be thrilling. Interiors by Enviable Designs Iván Meade - What is your next design venture? Victoria McKenney - I am currently putting together a team of designers and CAD experts so that Enviable Designs can take on larger scoped projects. I love the challenges of problem solving that new builds and renovations naturally produce and hope to concentrate on these types of projects.. Down the road, my dream would be to design a boutique hotel in Vancouver. Interiors by Enviable Designs Iván Meade - Lastly, you have already created a stunning body of work in your signature style. What would you like your legacy to be? Victoria McKenney - I would like to be known for not only my strong design sense but my highly, individualized personal approach to each project. I take great pride in every design job I work on and hope that my positive and gracious nature I strive for in every job will be my legacy. I invite you to visit Victoria’s website at: and support her blog at: Ivan Meade is a local designer and principal of Meade Design Group, a multidisciplinary interior and graphic design studio in the heart of downtown Victoria – www.themeadegroup.com

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American Modern – A New Book by Thomas O’Brien

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